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Salieri videos

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He also composed one large scale instrumental work in intended as a study in late classical orchestration: Twenty-Six Variations for the Orchestra on a Theme called La Folia di Spagna.

This simple melodic and harmonic progression had served as an inspiration for many baroque composers, and would be used by later romantic and post-romantic composers.

Salieri's setting is a brooding work in the minor key, which rarely moves far from the original melodic material, its main interest lies in the deft and varied handling of orchestral colors.

La Folia was the most monumental set of orchestral variations before Brahms ' Variations on a Theme by Haydn.

His teaching of budding young musicians continued, and among his pupils in composition usually vocal were Ludwig van Beethoven , Antonio Casimir Cartellieri , Franz Liszt , Franz Schubert and many other luminaries of the early Romantic period.

He also instructed many prominent singers throughout his long career, including Caterina Canzi. All but the wealthiest of his pupils received their lessons for free, a tribute to the kindness Gassmann had shown Salieri as a penniless orphan.

Salieri was committed to medical care and suffered dementia for the last year and a half of his life [ according to whom?

His remains were later transferred to the Zentralfriedhof. His monument is adorned by a poem written by Joseph Weigl , one of his pupils:.

Ruh sanft! In ew'gen Harmonien Ist nun Dein Geist gelöst. Er sprach sich aus in zaubervollen Tönen, Jetzt schwebt er hin zum unvergänglich Schönen.

Rest in peace! Uncovered by dust Eternity shall bloom for you. In eternal harmonies Your spirit now is set free. It expressed itself in enchanting notes, Now it is floating to everlasting beauty.

During his time in Vienna, Salieri acquired great prestige as a composer and conductor, particularly of opera, but also of chamber and sacred music.

Salieri's earliest surviving work is a Mass in C major. He would write four major orchestral masses, a requiem, and many offertories, graduals, vesper settings, and sacred cantatas and oratorios.

Much of his sacred music dates from after his appointment as Hofkapellmeister in His small instrumental output includes two piano concerti , a concerto for organ written in , a concerto for flute , oboe and orchestra , a triple concerto for oboe, violin and cello, and a set of twenty-six variations on " La follia di Spagna " In the s, while Mozart lived and worked in Vienna, he and his father Leopold wrote in their letters that several "cabals" of Italians led by Salieri were actively putting obstacles in the way of Mozart's obtaining certain posts or staging his operas.

For example, Mozart wrote in December to his father that "the only one who counts in [the Emperor's] eyes is Salieri".

Mozart wrote to his father in May about Salieri and Lorenzo Da Ponte , the court poet: "You know those Italian gentlemen; they are very nice to your face!

Enough, we all know about them. And if [Da Ponte] is in league with Salieri, I'll never get a text from him, and I would love to show him what I can really do with an Italian opera.

Decades after Mozart's death, a rumour began to circulate that Mozart had been poisoned by Salieri. This rumour has been attributed by some to a rivalry between the German and the Italian schools of music.

Ironically, Salieri's music was much more in the tradition of Gluck and Gassmann than of the Italians like Paisiello or Cimarosa. While Italian by birth, Salieri had lived in imperial Vienna for almost 60 years and was regarded by such people as the music critic Friedrich Rochlitz as a German composer.

The biographer Alexander Wheelock Thayer believes that Mozart's rivalry with Salieri could have originated with an incident in , when Mozart applied to be the music teacher of Princess Elisabeth of Württemberg , and Salieri was selected instead because of his reputation as a singing teacher.

The following year Mozart once again failed to be selected as the princess's piano teacher. In addition, when Lorenzo Da Ponte was in Prague preparing the production of Mozart's setting of his Don Giovanni , the poet was ordered back to Vienna for a royal wedding for which Salieri's Axur, re d'Ormus would be performed.

Obviously, Mozart was not pleased by this. However, even with Mozart and Salieri's rivalry for certain jobs, there is virtually no evidence that the relationship between the two composers was at all acrimonious beyond this, especially after around , when Mozart had become established in Vienna.

Rather, they appeared to usually see each other as friends and colleagues, and supported each other's work.

For example, when Salieri was appointed Kapellmeister in , he chose to revive Figaro instead of introducing a new opera of his own, and when he attended the coronation festivities for Leopold II in , Salieri had no fewer than three Mozart masses in his luggage.

Salieri and Mozart even jointly composed a cantata for voice and piano, Per la ricuperata salute di Ofelia , which celebrated the return to the stage of the singer Nancy Storace.

This work, although it had been printed by Artaria in , was considered lost until 10 January , when the Schwäbische Zeitung reported on the discovery by musicologist and composer Timo Jouko Herrmann of a copy of its text and music while doing research on Antonio Salieri in the collections of the Czech Museum of Music.

In his last surviving letter from 14 October , Mozart told his wife that he had picked up Salieri and Caterina Cavalieri in his carriage and driven them both to the opera; about Salieri's attendance at his opera The Magic Flute , speaking enthusiastically: "He heard and saw with all his attention, and from the overture to the last choir there was not a piece that didn't elicit a 'Bravo!

Hummel , educated Mozart's younger son Franz Xaver Mozart , who was born about four months before his father's death. Salieri and his music were largely forgotten from the 19th century until the late 20th century.

His music today has regained some modest popularity via recordings. It is also the subject of increasing academic study, and a small number of his operas have returned to the stage.

In addition, there is now a Salieri Opera Festival sponsored by the Fondazione Culturale Antonio Salieri and dedicated to rediscovering his work and those of his contemporaries.

It is developing as an annual autumn event in his native town of Legnago, where a theatre has been renamed in his honour. In , mezzo-soprano Cecilia Bartoli released The Salieri Album , a CD with 13 arias from Salieri's operas, most of which had never been recorded before.

In , another female opera star, Diana Damrau , released a CD with seven Salieri coloratura arias. Salieri has yet to fully re-enter the general repertory, but performances of his works are progressively becoming more regular.

In , the opera Europa riconosciuta was staged in Milan for the reopening of La Scala in Milan, with soprano Diana Damrau in the title role.

This production was also broadcast on television. On 14 November in Graz, Austria, the hometown of the librettist Leopold Auenbrugger , Salieri's Der Rauchfangkehrer was given its first modern production.

In July there was another modern production of this Salieri opera. Salieri has even begun to attract some attention from Hollywood. It is a story that builds on the rivalry between a meticulous but untested officer Gandolfini serving as the warden of a military prison and an imprisoned but much admired and highly decorated general Redford.

The Salieri piece is used as the warden's theme music, seemingly to invoke the image of jealousy of the inferior for his superior.

In , the movie Copying Beethoven referred to Salieri in a more positive light. In this movie a young female music student hired by Beethoven to copy out his Ninth Symphony is staying at a monastery.

The abbess tries to discourage her from working with the irreverent Beethoven. She notes that she too once had dreams, having come to Vienna to study opera singing with Salieri.

The scene where Obadiah Stane, the archrival of Tony Stark, the wealthy industrialist turned Iron Man, tells Tony that he is being ousted from his company by the board, Obadiah plays the opening few bars of the Salieri concerto on a piano in Stark's suite.

Salieri's life, and especially his relationship with Mozart, has been a subject of many stories, in a variety of media. From Wikipedia, the free encyclopedia.

Italian composer — This section does not cite any sources. Please help improve this section by adding citations to reliable sources.

Unsourced material may be challenged and removed. April Learn how and when to remove this template message. Lexico UK Dictionary.

Oxford University Press. Retrieved 18 August Boston: Houghton Mifflin Harcourt. Merriam-Webster Dictionary. Grove Music Online. The New York Times.

Yale University Press. The Mozarteum Foundation Salzburg. Archived from the original on 31 January Retrieved 27 January Stiftung Mozarteum Salzburg.

Archived from the original on 20 February Retrieved 22 January Teatro Salieri in Italian. Archived from the original on 6 June Pinchgut Opera. The Sydney Morning Herald.

Retrieved 21 February The Europe of — on film and television: a worldwide filmography of over works, through The Globe and Mail.

Erin Neff, Mezzo-Soprano. Deadline Hollywood. Concert Broadcast. Hawaii Public Radio. Fate Grand Order GamePress.

Antonio Salieri. Picciola serenata Per la ricuperata salute di Ofelia Mozart and Salieri play , opera Amadeus play , film.

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Category Portal WikiProject. Classical music portal Opera portal Austria portal Biography portal. Categories : births deaths Burials at the Vienna Central Cemetery Italian classical composers Italian Classical-period composers Italian male classical composers Italian emigrants to Austria Italian opera composers Male opera composers Italian Romantic composers People from Legnago Pupils of Christoph Willibald Gluck Viennese composers 19th-century classical composers 19th-century Italian composers 19th-century male musicians.

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Wikimedia Commons Wikiquote. This seems unlikely to have happened if they had not already established a solid friendship.

Both composers were prolific and celebrated with an understandable battle for musical supremacy but as a very real means of survival rather than a tussle of egos.

Salieri outlived Mozart by many years which must also have rubbed salt into the wound and in the last two decades of his life ceased composing almost completely.

By , Salieri was in very poor physical and mental health. He was confined to hospital surfacing only on rare occasions into lucidity.

In between times, Salieri is supposed to have confessed to poisoning Mozart even though this was in all probability just the babble of a broken mind.

What this did though for many was underline the conspiracy that Mozart himself had claimed on his deathbed, that the Italian syndicate had poisoned him, and sparked a debate that has raged for decades afterward.

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